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Press release: "In a pair of interviews about innovations in film-making Electric Sheep Magazine's assistant editor Alex Fitch talks to two directors who have embraced new technology in their work. Alex talks to Alex Cox about working with Robby Muller on Repo Man, his thoughts on interactive cinema, utilising computer generated backgrounds and other techniques for its sequel Repo Chic(k) and using CGI to augment the rerelease of his western Straight to Hell.
Alex also talks to Julian Napier, director of Madame Butterfly 3D, a new film of the Royal Opera House's production of Puccini's classic tale of spurned love in 19th Century Nagasaki; how filming the opera using 3D cameras makes the cinema presentation a more immersive experience and a more rewarding one for people who can't afford or don't fancy the highbrow environment of the ROH."
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